Postmodernism is not a philosophy with which we may agree or not; it is our condition. We cyborgs, produced through militarism and patriarchal capitalism, are without innocence because we don't deny this; we appropriate these identities in order to take pleasure in the confusion of boundaries.
Whether a naked Sheela-na-gig flaunting her enlarged vagina or a Madonna protecting her swollen belly with layers of reticent robes, feminine icons defy our inclination to identify the one "correct" reading of an image. They require us to employ multiple readings, a skill that is vital to feminist inquiry and, perhaps, to our very survival.
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