In this third of a series of interviews about creative people using social networking to reach an audience, Tamra Lucid talks to Tiffany Scandal, editor of the feminist essay collection “Nasty!” and Tara Dublin, contributing writer to “Nasty!”, about the vicious cyber backlash they received, and how they found empowerment in rising above it.
The Grateful Dead’s attitude toward American musical traditions was not simply a veneration of roots but an appreciation of roots for the new uses that could be made of them. For them the old music was a place where the profane time of contemporary America opened out into story, allowing room for imagination. The old music suggested things to them that that psychedelics affirmed and amplified.
Feminist multimedia artist, singer, and writer Jean Smith – best known as the singer in the iconic underground rock band Mecca Normal – quit her part time job to sell her paintings online. As she shares her latest paintings on Facebook, she allows her fans to follow the rapid evolution of her work. This is the second in a series of interviews with artists working through Facebook to reach audiences.
2017 Wonderland Book Award nominee Jennifer Robin is a treasure of the Portland underground. Her work captures a menagerie of 21st century American characters, many of whom seem archetypal. In this interview, we discuss her books Death Confetti and Earthquakes in Candyland, changing Portland, and Facebook as a platform for artists.
After patriarchy collapses / And capitalism crumbles / We’ll get lost in each other’s / Trickster minds and bodies / Free to touch and let go / Touch and let go, sliding in/ And out of kaleidoscopic embrace
Recovering from a heartbreaking divorce, Tao Ruspoli takes to the road in his film Monogamish to talk about love, sex & monogamy in our culture.
From August 17—23rd, 2017, 30,000 participants joined an international cast of artists and crew for the Oregon Eclipse Festival. It rivaled Burning Man in its physical size and artistic scope, with a long list of performing bands and DJs, a multitude of interactive installations, workshops and lecture spaces, circus acts and performances.
An excerpt from Tony Vigorito’s third novel, “Love and Other Pranks”: “He had this earnest notion—and if you ever heard him tell it, you’d believe it just the same as if he was telling you that the sun is bright—he had this notion that LP9 was sent here direct from the godhead, that it was actually the prophet Elijah heralding the dawn of Christ consciousness.”
An excerpt from Tony Vigorito’s third novel, “Love and Other Pranks”: “Do you ever wonder if you are shadow puppets of some much larger theater of experience?” An unknown, unexpected, and terribly deep voice very suddenly resonated from the far corner of the screened patio.
An excerpt from Tony Vigorito’s third novel, “Love and Other Pranks”: “Merlin was certain he’d met the female version of himself, and he was in love, baby, in love like a fool in fretless free fall off a blackfoot daisy–bedazzled cliff, and my is that breeze refreshing! Sure, he was now an accessory to grand larceny, but that was nothing compared to this infraction.”